Exhibitions

Design Museum Dedel was opened on 1 July 2019 by Mrs. Hedy d’Ancona.

Now showing

Broken Talent: A tribute to five Jewish designers who were not able to witness liberation.

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through June 2026

Broken Talent

This exhibition pays tribute to five artists, including Julius Klinger and Samuel L. Schwarz, two influential designers who in 2026 were born exactly 150 years ago. In addition, the exhibition turns its focus to the work of Fré Cohen, Stefan Schlesinger and Meijer Bleekrode. As with many of their contemporaries, their careers and lives were overshadowed by the tragic events of the Second World War. But these five did not live to see the liberation. This makes it all the more important to keep the flame of recognition and interest burning.

Julius Klinger (1876–1942) was an Austrian artist best known for his illustrations for critical books and magazines. His works display a humorous approach and originality. Starting in the Art Nouveau period, he developed into a pioneer of the modernism of the later Bauhaus. A true pioneer who was held in high regard both nationally and internationally.

Samuel L. (Mommie) Schwarz (1876–1942) was a Dutch painter and graphic artist. Together with his wife Else Berg, they formed an artist couple; both are associated with the Bergen School. This artistic movement can be seen in the somewhat cubist posters that Schwarz designed. In 1926, De Telegraaf wrote about Schwarz’s posters: they ‘generally belong to the best of what truly demands attention on advertising columns and billboards’.

Posters with an additional layer
At first glance, the designs seem detached from the heavy history of their makers. They seduce, inform and surprise with color, form and typography. Only later, in some works, does a more political or socially critical tone become visible. This gives the posters an additional layer of meaning. The later war with the persecution of Jews casts its shadow forward in these posters.

Visit
The exhibition can be seen from March through June at Design Museum Dedel, Prinsegracht 15, The Hague. The volunteers present will be happy to tell you more about it.

permanent exibition

Art nouveau, a source of inspiration

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permanent exibition

Art nouveau, a source of inspiration

In the library is a permanent exhibition of Art Nouveau posters.

Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.

One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass art, textiles, ceramics, jewellery and metal work. The style responded to leading 19-century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900). In Britain, it was influenced by William Morris and the Arts and Crafts movement. German architects and designers sought a spiritually uplifting Gesamtkunstwerk ('total work of art') that would unify the architecture, furnishings, and art in the interior in a common style, to uplift and inspire the residents.